Friday, March 28, 2008

Playing Together: The 100% Rule - By Ed Kerr

Hi Everyone!

Chanced upon this article on http://www.worshipministryu.com/ . This article may help answer some of those doubts and perhaps throw a fresh perspective to playing together as a band.
Author - Ed Kerr.

Ed Kerr has been a professional songwriter and recording artist for over two decades. For 13 years he was a lead vocalist and keyboard player for Harvest, a popular contemporary Christian music band. In the past 10 years he has written more than 100 songs recorded by Integrity Music. His playing is featured on "Rock of Ages", "I Walk By Faith", and "Forever", recordings in Maranatha!Music's popular Praise Band series. Ed also is the creator of two excellent worship keyboard training DVDs, is a instructor for the Christian Musician's Summit, and serves as worship pastor for Newlife Church in Silverdale, WA.

"One helpful concept in learning to play together as a worship band is "The 100% Rule." Think of the rhythm section as a pie. If the band's final sound is 100% of the contributions of the players, then each player contributes only a portion of that total. So if there are four of us, each of us gets a quarter of the pie. If there are two of us, we split it in half.

With a song like "Lord, I Lift Your Name On High," which is so acoustic guitar oriented, the whole song could be played with just an acoustic guitar. But if you have a rhythm section, you'd need to involve the other players so that they complement what the guitarist is playing, while at the same time, they build the arrangement as it progresses throughout the song.

Now, let's say you're in a band where your guitar player doesn't have technical skill or is not comfortable carrying the song with finger-picking. In that case, the keyboard player might take a more acoustic approach. The keyboardist would imitate that finger-picking style and the guitarist could just strum the acoustic guitar.

And, since "Lord, I Lift Your Name on High" consists of basically a G chord, a C chord, and a D chord, most guitarists are going to be able to comfortably strum it. So, the keyboardist and guitarist can easily exchange roles. Just because the recording of the song started with a guitar doesn't mean that in your context you have to do it that way.

If you have more than one keyboardist, one of the keyboards might play a pad sound that sounds like a string section. The pad sound doesn't contribute any movement, but is a backdrop to what the rest of the band is doing. It fills in the sound beautifully and doesn't draw away from the other more rhythmic sounds.

The drummer may start with just a shaker or light percussion, then move on to the whole kit as the song builds in energy. And as far as the bass is concerned, because he is in his own frequency range, his part speaks clearly.

Now, obviously at some point the singers are going to join us. When the vocals come in, the players will change some of what they're playing. If the players maintain as much movement when the vocals come in, the sound might get a little too busy.

Ideally the music will be like a conversation. When the singers are making their statement, the band tries to back out of the way and accompany the vocals. When the singers finish a phrase, the band might choose to answer a little bit on their instruments with the melodic pattern.
You may at times feel like your part is not conspicuous, busy or virtuosic enough, especially if you're a classically-trained piano player. But many times what is called for is the discipline to know how little to play. I don't mean that we ought to think how little we can get away with, but rather what is going to really work.

So don't be disturbed if your individual contribution on a particular song would not sound wonderful if recorded on its own; that would only be the case if your part were 100% of the sound. What makes your part great in a band context is what it contributes to the whole, so it allows the rest of the band's contributions to be heard.

(Excerpts from the Worship Leader Workshop video and handbook) "

Lets have BIG ears & OPEN hearts as we approach the throne every Sunday,
Yg

Sunday, March 2, 2008

Worship Review (020308) & New Song (Rescue the Perishing)

Hi all

Here the link to download today's worship session led by Augustus.

http://www.lkyouths.com/Purpose_Worship/080302_Worship(Aug).mp3

Thanks for leading the new song "Rescue the Perishing". It's a pretty Intense (a capital "I") one. From a web-search, I realised that it was adapted from an old hymn written by Fanny Crosby, a blind American poetess, often known as the queen of gospel song writers. The original hymn was penned in 1869. This was her moving account of writting this hymn:

http://www.joyfulministry.com/rescuef.htm

Other hymns by Fannie J. Crosby include "All the Way My Saviour Leads Me" , "Blessed Assurance"

Wow! When I heard the contemporary version by Billy Foote (praise the Lord that he kept 90% of Fanny's original lyrics!), I was close to tears as I'm reminded of this Holy calling by God to all who have believed in Christ, this calling that is popularly known as the "Great Commission". Have we heard this label so too often that we've forgotten it's true significance and our responsibility?

As I'm writting this entry my eyes wander to my unsaved Mum, Sis & boyfriend who are playing with Shalom in the hall. My thoughts on my Dad who's heart has been hardened by bad experiences. "Dear God, use me to lead them to you."

From the above dated accounts, I'm also reminded how God has and continues to use Worship leaders/songs/ music as vessels to knock on "doors" of hardened hearts, to call on significant ones amongst the congregation that HE has chosen to heal & save. So, lets not take our roles as Lead Worshippers/Musicians lightly.

Here's the contemporary version that is beautifully sung by Rebecca St James. Enjoy ....
(I've included the other verse from the original hymn in "white")

Rescue the perishing, care for the dying,
Snatch them in pity from sin and the grave;
Weep o’er the erring one, lift up the fallen,
Tell them of Jesus, the mighty to save.

Chorus (refrain)
Rescue the perishing, care for the dying,

Jesus is merciful, Jesus will save.
Church open your eyes once more,
And see what Christ died for,
Jesus is merciful, Jesus will save!

Though they are slighting Him, still He is waiting,
Waiting the penitent child to receive;
Plead with them earnestly, plead with them gently;
He will forgive if they only believe.

Refrain

Down in the human heart, crushed by the tempter,

Feelings lie buried that grace can restore;
Touched by a loving heart, wakened by kindness,
Chords that were broken will vibrate once more.

Refrain

Rescue the perishing, duty demands it;
Strength for thy labor the Lord will provide;
Back to the narrow way patiently win them;
Tell the poor wand’rer a Savior has died.

Refrain

Bridge
As we playing our songs, while we singing them well
Have we forgotten the lost, the reality of hell?
If we say we love God, wanna see His will done,
Will we offer our lives, or just the songs we have sung?
Do we even care, when will we care?




My Utmost for His Highest
Yg